Knutsen Harp Guitar    

hgs31.jpg (14856 bytes)  hgs31pc.jpg (20327 bytes) There has to be an interesting story here!
I'm 99% sure of my conclusions below (it may be some time before I can obtain better photos).
This is the first time we have both an intact instrument along with a record of the original owner from a historical postcard (see Historical Photos). The postcard, which depicts two gentlemen playing the harp guitar and a harp mandolin, was tucked in the original case – which contained the guitar and an empty section for the missing "matching" mandolin!
The identification was a very tough call because at this point I only have these less-than-ideal images taken by researcher Ben Elder during a quick visit with the owner, musician and historian Bob Brozman.
Initially, the postcard seemed to be of a completely different instrument, as the color looked wrong – but this is true on many old black & white photos of guitars (Ben explained how the original orthochromatic film was missing, and/or sensitive to, certain colors of the spectrum – so it’s hard to tell if a shiny guitar top was spruce, mahogany or black finish [a photography expert could explain this better than I]. The first panchromatic films [sensitive to light of all colors] were made in 1906, although they did not become widely available for amateur use until the 1930s).
What gave it away immediately was the bass headstock – a completely new shape (see Harp Guitar Evolution). Despite the very dark shadow hiding the real instrument’s headstock, it must be the same - and the two geared tuners sticking out like buck teeth from the top again give it away.
All the other discernible features are identical. The pickguard is tricky, as it is an inlaid piece the same color as the top – so it disappears completely in the old b&w photo. Enhanced in Photoshop, I was just able to make out a highlight which corresponds to the pearl inlay.
The postcard itself does not include a copyright date or caption. It was postmarked August 3, 1956, from Pendleton, Oregon (but is probably circa ‘teens or ‘twenties). Addressed to one Rev. E.S. Mathews at 506 Park Ave. Galena, Illinois, it contained the rather cryptic message "Dear all, Everybody dead! We are __ Love, your Sis."

hgs31.jpg (14856 bytes) hgs31head.jpg (9910 bytes) hgs31pg.jpg (17048 bytes) hgs31pc.jpg (20327 bytes)

Click on a  picture to enlarge
(images copyright Ben Elder and Bob Brozman)

Knutsen Archives Inventory Number

HGS31

                 Category

Seattle Harp Guitars

                 Body Style

"Lower Bass Point"

                 Current or last known owner

Bob Brozman

              Year (approx)

1913-1914

                 Label

Harp Guitar Factory label & "11-stringed harp guitar" label

                 Label Code SE2 & SE8

                 Courses / Strings

11 course: 6 strings on neck, 5 bass

               Frets

straight

                 Scale length unknown
                 Neck Joint unknown

Woods

Top

black

Back & Sides

mahogany

Neck

unknown

Fingerboard

unknown

Bridge

unknown

Headstock veneer unknown

Binding, trim

Top

ivoroid?

Back

ivoroid?

Fingerboard

ivoroid?

Headstock(s)

none

Soundhole rope

                 Inlay

fancy fret markers

                 Pickguard

black with inlaid crescent moon and diamond

                 Comments

 

 

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