That’s slang for left-handed guitar players.
We sure don’t see many left-handed harp guitars, do we? It’s not because they look really weird (though they do). I suppose it’s because there are (and have been) so extremely few left-handed guitar players (past, present, future?) willing to take up the instrument. One barrier is obviously the availability – any potential player would have to custom-order an instrument.
Of course, the original harp guitar lefty was Chris Knutsen himself. His are the only instruments where several left-handed specimens are known – and one is tempted to speculate that all may have been Knutsen’s personal instruments at one time or another. If nothing else, he couldn’t really test-drive any new designs or experiments without building himself a left-handed instrument to play on. Thinking along those lines, I’m surprised we haven’t actually found more (the first 3 of these below were played by Knutsen).
Visually, this is a whole new arena. Think about it. Looking at a standard 6-string guitar, with its figure-8 shape, you wouldn’t even know it was a lefty at all, unless you got up close to see the strings, or perhaps a pickguard on the “wrong” side. Even distinctive, asymmetrical left-handed electric or archtop guitars (a Les Paul, for example) don’t look too out of place – if anything, some almost look cool.
Lefty harp guitars on the other hand look just plain abnormal. I suppose it’s because they look wild to begin with – so reversing the arm, and especially throwing in an off-center bridge, and my eyes start to water.
This is my own Dyer, flipped to show how it would be built for a southpaw. Taken on its own, it’s noticeably backwards and “wrong.”
But seen in playing position, there’s a point of reference, so it suddenly looks pretty “normal.” What an interesting illusion! (the guitar, not my sudden ambidextrous transformation).
Even better, when you place a lefty with a right-handed original – like (below) in the Knutsen family photograph, or a pair of Gibsons (Charles Hoffman’s shot of the only lefty U known) – you get a wonderful book-ended tableau that becomes gloriously more than the sum of its parts. This is why I now recommend to all left-handed harp guitarists that they marry a right-handed harp guitarist. It’ll make all the difference!
Other than the above, I can’t think of any historical lefties – true? Modern makers haven’t done many either. There’s this Brune instrument from way back, and of course Kerry Char early on did a left-handed Dyer commission (below). I’ve heard of a couple more in the works.
The latest entry in the “I’m left-handed, and I wanna play harp guitar, dammit!” field is Francesco Faldani, of northern Italy.
He just picked up his new lefty this week from builder Massimiliano (Max) Monterosso, who lives in Abano Terme, near Padova, Italy (I just added Max to the Luthier page). Max has kept a photo blog on the entire process here. Woods are Italian spruce top with lovely black walnut back and sides.
The two shot a quick video when Francesco picked it up.
Stephen Bennett, who has been following Francesco’s progress for several years, has nothing but good things to say about him.
So Francesco – no pressure, but we’re expectng great things from our first serious harp guitar southpaw!